电影月亮上的洞
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月亮上的洞

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  • 片名:月亮上的洞
  • 状态:正片
  • 主演:Arik/Lavie/Shaike/Ophir/Avraham/Heffner/
  • 导演:Uri/Zohar/
  • 年份:1964
  • 地区:以色列
  • 类型:剧情/
  • 时长:内详
  • 上映:1964
  • 语言:希伯来语
  • 更新:2024-08-11 21:31
  • 简介:Acomicandepisodicsatire,thefilmusesimprovisationtoillustratetheclashbetweenfantasyandrealityinreallife.AlthoughconceivedinthestyleofMekas'"Hallelujahthehills"(1962),it'sanauthenticallyIsraelisatire,anopenlyrebelliousandindividualisticexpressionthatpokedfunatthesacredmythsofearlierzionistfilms.Thetechniqueoffilmwithinthefilmisusedtoportraycinemaasreflectionoftheimagination,amiraclebasedondreamsandfantasiesthattakeonconcretecharacteristics-paralleltothemiracleofIsrael,thedreamthathasbecomereality.Althoughnotacommercialsuccess,itsimportanceisbeyondanymeasure,thoughitremainsauniqueexperiment,boldlyuncommercialandsubversive,outofanycontextinthatpatriotic,ideologicalepoch.                                   Anewimmigrant,Tzelnik,arrivesattheportofJaffa.HegoestoliveintheNegevdesertwhereheopensakioskinthemiddleofnowhere.Mizrachicomesalongandopensacompetingbusinessacrosstheway.Thetwomakealivingbysellingtoeachother.Asthereisnothingthere,theydecidetocreateaworldoutoftheirimagination.Theybuildacardboardfilmset,whichslowlytakesonrealdimensions-thebuildingsturntoconcrete,peoplecometoauditionforpartsinthe"film"(cinemaveritéstyle,withZoharmockingviciouslythepretensionsofthe"actresses")andbuilderscometobuildappartmentbuildings(mockingtheglorificationofconcreteand "heroic"settlement).Inonesequence,Arabactorscomeandaskthefilmmakersturnpositivetonegative,andthey'regiventheroleofpioneerswhoplowthelandandsingzionistsongs.Theimaginedworldofthefilmmakersbecomessorealeventuallytheylosesightofthethinlinebetweenfantasyandreality.                                   Alongthewaytherearealsomanyreferencestootherfilmsandgenres:thesamuraiflicksofKurosawa,westerns,thepopfilmsbyRichardlester,themealscenefromTomJonesandmanyothers.                                   Thefilmwasmadebyabunchof(verytalented)friendsZohargathered,andtheyshotitwiththeirownfunds,asa“collectiveflick”,anotheraspectofitthatsetsitapartfromtherestoftheproductioninthecountryccc
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Acomicandepisodicsatire,thefilmusesimprovisationtoillustratetheclashbetweenfantasyandrealityinreallife.AlthoughconceivedinthestyleofMekas'"Hallelujahthehills"(1962),it'sanauthenticallyIsraelisatire,anopenlyrebelliousandindividualisticexpressionthatpokedfunatthesacredmythsofearlierzionistfilms.Thetechniqueoffilmwithinthefilmisusedtoportraycinemaasreflectionoftheimagination,amiraclebasedondreamsandfantasiesthattakeonconcretecharacteristics-paralleltothemiracleofIsrael,thedreamthathasbecomereality.Althoughnotacommercialsuccess,itsimportanceisbeyondanymeasure,thoughitremainsauniqueexperiment,boldlyuncommercialandsubversive,outofanycontextinthatpatriotic,ideologicalepoch.                                   Anewimmigrant,Tzelnik,arrivesattheportofJaffa.HegoestoliveintheNegevdesertwhereheopensakioskinthemiddleofnowhere.Mizrachicomesalongandopensacompetingbusinessacrosstheway.Thetwomakealivingbysellingtoeachother.Asthereisnothingthere,theydecidetocreateaworldoutoftheirimagination.Theybuildacardboardfilmset,whichslowlytakesonrealdimensions-thebuildingsturntoconcrete,peoplecometoauditionforpartsinthe"film"(cinemaveritéstyle,withZoharmockingviciouslythepretensionsofthe"actresses")andbuilderscometobuildappartmentbuildings(mockingtheglorificationofconcreteand "heroic"settlement).Inonesequence,Arabactorscomeandaskthefilmmakersturnpositivetonegative,andthey'regiventheroleofpioneerswhoplowthelandandsingzionistsongs.Theimaginedworldofthefilmmakersbecomessorealeventuallytheylosesightofthethinlinebetweenfantasyandreality.                                   Alongthewaytherearealsomanyreferencestootherfilmsandgenres:thesamuraiflicksofKurosawa,westerns,thepopfilmsbyRichardlester,themealscenefromTomJonesandmanyothers.                                   Thefilmwasmadebyabunchof(verytalented)friendsZohargathered,andtheyshotitwiththeirownfunds,asa“collectiveflick”,anotheraspectofitthatsetsitapartfromtherestoftheproductioninthecountryccc

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